Is something not working on this page? Object Details. Apole arrested him, though he had never met the other conspirator. Calumny of Apelles (detail - Penitence and Naked Truth) — Alessandro Botticelli The painting is an allegory with nine figures (as well as many painted statues) but at 62 x 91 cm is far smaller than his large mythological paintings, but larger than the usual size of his spalliere pieces intended to be fitted into panelling or furniture. Apelles, LLC. GoCycling @ East Coast Park C4 1030 East Coast Parkway (Carpark C4), S(449893) Tel: 91836964 Everyday: 8am-10pm GoCycling @ Changi Airport Terminal 2 60 Airport Boulevard, #01-T2S-01, Changi Aiport Terminal 2, Hub & Spoke, S(819643) Tel: 92383450 Mon-Fri: 10am-8pm Sat/Sun/PH: 9am … Title: The Calumny of Apelles. Access more artwork lots and estimated & realized auction prices on MutualArt. The figures are either personifications of vices or virtues, or in the case of the king and victim, of the roles of the powerful and the powerless. At this time, we are not offering high-resolution TIFF images of detail or alternate views. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. 31 RAY STREET, WEBSTER, MA 01570 Medium: Oil on canvas. The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Calumny of Apelles', 1497-1498. The Museum is Coming Soon! A work from the collections of the de Young and Legion of Honor museums of San Francisco, CA. Uffizi, Florence. Based on the description of an ancient lost painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence. (57.2 x 72.4 cm) Classification: Paintings. Album: Alessandro Botticelli, #46/203. 1590–1613, died 1640) Date: 1602 Medium: Engraving Classification: Prints Credit Line: Harris Brisbane Dick Fund, 1947 Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Deceit stands behind Calumny with a large net, while Repentance casts an apologetic glance toward Truth from beside the window. 62 cm × 91 cm (24 in × 36 in) Location. Mantegna reverses things and substitutes 'deceptione' for 'fraus', who occurs in all the sources quoted by Förster. Apelles, LLC. Location: Florence: Coordinates: 43° 46′ 06.38″ N, 11° 15′ 21.24″ E Established: 1581 (built), 1765 (open to public) Authority control: These identifications are clear from Lucian's description of a painting by Apelles, a Greek painter of the Hellenistic Period. Accession Number: 24.186 The content of Apelles' painting, as described by Lucian, became popular in Renaissance Italy, and Botticelli was neither the first nor last Italian Renaissance artist to depict it. "The Calumny of Apelles (recto)" New York Public Library Digital Collections. The Calumny of Apelles (Detail), c.1497/98 - Giclée Canvas Print Sandro Botticelli (1445-1510) Location: Galleria degli Uffizi Florence Italy Original Size: unknown It was completed around 1494 or 1495, and is probably the last secular painting of his to survive. Accessed December 13, 2020. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org. This allegory of injustice, popular with Renaissance artists for its moral content, is based on a written description of a lost painting by the ancient Greek artist Apelles. BBB File Opened: Hoc modo Apelles suum periculum in tabula est imitatus." Calumny of Apelles, c.1497/98 Sandro Botticelli (1445-1510) Location: Galleria degli Uffizi Florence Italy Original Size: 62 x 91 cm. Calumny of Apelles was painted by the Italian painter Sandro Botticelli. Description of the artwork «Calumny of Apelles» "Slander" (ital. Description. Location of This Business 3700 Corporate Dr Ste 240, Columbus, OH 43231-5001. It is often speculated that Botticelli had a specific slandered individual in mind, perhaps himself, or Savonarola. This allegory of injustice, popular with Renaissance artists for its moral content, is based on a written description of a lost painting by the ancient Greek artist Apelles. Culture: American. The king extends his hand towards Calumny, but his eyes look down so that he cannot see the scene. Dimensions: 22 1/2 x 28 1/2 in. Based on the description of a painting by Apelles, the work was completed in approximately 1494. The original work is also done on a wood panel and is currently held at Uffizi Galley in Florence. Credit Line: Gift of the family of General George H. Sharpe, 1924. From left to right, they represent (with alternative names): Truth, nude and pointing upwards to Heaven; Repentance in black; Perfidy (Conspiracy) in red and yellow, over the innocent half-naked victim on the floor, who is being pulled forward by the hair by Calumny (Slander), in white and blue and holding a flaming torch. The piece portrays a Hellenistic scene of a famous ancient Greek allegory with 9 figures. Album: Alessandro Botticelli, #27/203. The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, en.wikipedia.org/wiki/Calumny_of_Apelles_(Botticelli), 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/Calumny_of_Apelles_(Botticelli). This old wood print beautifully reproduced the original work with a remarkable accuracy. Calumny Of Apelles was reproduced on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. Apelles painted it after he himself had nearly been put to death because of a rival's slander. ‘The Calumny of Apelles’ was created by Maarten de Vos in Northern Renaissance style. Though Apelles' works have not survived, Lucian recorded details of one in his On Calumny: This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Calumny of Apelles, c.1497/98 - Giclée Canvas Print Sandro Botticelli (1445-1510) Location: Galleria degli Uffizi Florence Italy Original Size: 62 x 91 cm Fraud, behind, arranges Calumny's hair. Apelles was a Hellenistic painter that was falsely accused of conspiracy against Ptolemy IV, the leader of Egypt, by a rival painter of the name Antiphilos. A number of Botticelli's secular works show an interest in recreating some of the lost glories of Ancient Greek painting, which are recorded in classical literature, especially the ekphrasis, a popular literary genre consisting of the description of a painting, which had an obvious utility before reproductions were widespread. With 10 outlets islandwide, you can conveniently find us at a location near you. Find a location near you, and learn about our remote resources. See All 243 Videos in our Channel. This youth protests his innocence to Truth and Time, who descend on a cloud to reveal Calumny’s lies and vindicate the accused. Giorgio Vasari Michelangelo Renaissance Kunst Renaissance Paintings High Renaissance Tempera Sandro Botticelli Paintings Castor … Brand New and Rolled and ready for display or framing. He extends a hand to Calumny (Slander), who, helped by Envy, drags a young man by the hair into court. The Calumny of Apelles was a scene that dated back to classical antiquity. 1483), Mantua (1502), Florence (1503–1510) Authority control: This print is ready for hanging or framing. Sandro Botticelli was an Italian painter of the Early Renaissance. https://piction.clevelandart.org/cma/ump.di?e=F0618C92B64E90D0377FEE9687DE52284DD2BB2ADF3C14970B3F3D603431DE16&s=21&se=1871350060&v=2&f=1945.113_o2.jpg. The Calumny of Apelles is a tempera panel painting by the Italian Renaissance painter Sandro Botticelli. Images. This image is available to download for publications and non-commercial use. Sheet: 37.3 x 32.3 cm (14 11/16 x 12 11/16 in. This superb impression is based on an ancient description of a lost allegorical painting by the Greek artist Apelles. The lost painting, known as The Calumny of Apelles, expresses truths about calumny, or the telling of lies to ruin someone's reputation. An enthroned judge with large ears is flanked by Suspicion and blindfolded Ignorance. It is on display in the Uffizi in Florence. Information about the painting, location, other paintings of the artist. It will have been observed that Lucian describes the king as seated on the right and Calumny as holding a torch in her left hand and dragging the boy with the other hand. Date 1482 Artist Sandro Botticelli Period 15th century Classification Painting Dimensions 45 3/4 x 32 in. In 1502, some years after the probable date of the painting, an anonymous denunciation to the authorities accused Botticelli of sodomy. https://piction.clevelandart.org/cma/ump.di?e=5A1D39C006169300C4254676C6BC6C2CA7FE6B98C04708BF5B7A218EEB11C6DD&s=21&se=643115492&v=&f=2012.8_o2.jpg, [R. E. Lewis, Inc., Larkspur, CA, 1993]; Phillip Sommerville, Toronto; [Susan Schulman Printseller]. The unusual portrayal may also suggest use of live model suffering from lead toxicity and lead neuropathy Examples of Quality - Video. In 'Calumny' Maciá uses the sense of smell to re-interpret the eponymous lost painting by the fourth century BCE Greek artist Apelles. The painting was described by the ancient Roman philosopher Pliny the Elder, recounted in the thinker Leon Battista Alberti’s master treatise 'On Painting' (1435) and reimagined by the Renaissance painter Sandro Botticelli in The Calumny of Apelles (fig. However, it is comparable in size to his Mystical Nativity, and like that may have been painted for his own use. View The Calumny of Apelles (1560) After Luca Penni; engraving; Sheet 368 x 322 mm; . The Calumny of Apelles by Cornelis Cort, Federico Zuccaro 1572. Business Profile. The Calumny of Apelles is a tempera painting by Italian Renaissance painter Sandro Botticelli. He belonged to the Florentine School under the patronage of Lorenzo de' Medici. Title: The Calumny of Apelles Artist: Cornelis Cort (Netherlandish, Hoorn ca. ); Platemark: 36.9 x 31.9 cm (14 1/2 x 12 9/16 in.). 6) may indicate specific knowledge of this text, since the subject is one that Alberti explicitly describes in the treatise, although the ultimate source for both is the ancient author Lucian, whose works were translated into the vernacular during the fifteenth century. Request a digital file from Image Services, This image is in the public domain. Write a Review. Based on the description of a painting by Apelles, the work was completed in approximately 1494. The Calumny of Apelles | Cleveland Museum of Art. {{cite web|title=The Calumny of Apelles|url=https://clevelandart.org/art/2012.8|author=Giorgio Ghisi|year=1560|access-date=29 March 2021|publisher=Cleveland Museum of Art}}. Video of the process of creation of oil painting reproduction in our studio. The Calumny of Apelles is a tempera painting by Italian Renaissance painter Sandro Botticelli. If you have questions about requesting an image, please email imageservices@clevelandart.org. Collections Agencies. Main Gallery Rotation (gallery 117): June 3, 2013 - October 7, 2013. Find more prominent pieces of allegorical painting at Wikiart.org – best visual art database. GoCycling with Us ! It depicts a dark male figure painted in the center with bilateral symmetrical distal wasting of limbs and poor body frame. Location of birth/death: Florence: Florence: Work location: Florence (1469–1481), Pisa (1475), Rome (1481–1482), Florence (1482–1490), Volterra (ca. An enthroned judge with large ears is flanked by Suspicion and blindfolded Ignorance. Location: Uffizi, Florence, Metropolitan City of Florence, Tuscany, Italy : Creator Based on the description of an ancient lost painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence. (116.2 x 81.3 cm) Gallery Location 34th Ave, Queens, NY 11106 Share You May Also Like View Click to visit the main New York Public Library Homepage ... and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, The New York Public Library. 1533–1578 Rome) Artist: After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona) Publisher: Giovanni Orlandi (Italian, active Rome, then Naples, from ca. “The Calumny of Apelles ” was painted by the Italian painter Sandro Botticelli. Saved by Great BIG Canvas | Fine Art, Custom Prints, Home Decor. 3700 Corporate Dr Ste 240. Information about the painting, location, other paintings of the artist. Calumny of Apelles (detail - King Midas enthroned between Ignorance and Suspicion) — Alessandro Botticelli The overall paper size is 18.00 x 24.00 inches and the image size is 18.00 x 24.00 inches. A dark male figure painted in center with bilateral symmetrical distal wasting of limbs and poor body frame. The Calumny of Apelles Wall Art, Canvas Prints, Framed Prints, Wall Peels. Copy. For commercial uses, please complete an online Reproduction Request Form Where possible, the image must be reproduced in full (no cropping or over-printing). {{selectedLanguage.Name}} Artist: Sandro Botticelli. To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk. Sandro Botticelli, Calumny of Appelles Buy Oil Painting Canvas, Selling:Apelles' Calumny is a stage dated to classical antiquity, Apelles was a Greek painter accused of conspiracy against Egypt's leader Ptolemy IV. Rancour (Envy), a bearded and hooded man in black, holds his hand towards the king's eyes to obscure their view. The work describes a painting by the famous Greek artist Apelles and the circumstances of its creation. The Calumny of Apelles is a tempera panel painting by the Italian Renaissance painter Sandro Botticelli. His Mars and Venus, painted some ten years earlier, is generally agreed to borrow part of its composition, the infant satyrs playing with Mars' armour, from another ekphrasis by Lucian, but no other Botticelli painting is clearly an attempt to recreate an ancient composition almost in full. Calunnia, tempera on wood) is the work of the great Italian Renaissance artist Sandro Botticelli, which was created in 1495 According to George Vasari, the picture was written for his friend Antonio ségny, but … After linkin Leon Battista Alberti had praised it and recommended it as a subject for artists to recreate in his highly influential De pictura of 1435, and there were four translations of Lucian's Greek into Latin or Italian during the 15th century. Artist: John Vanderlyn (American, Kingston, New York 1775–1852 Kingston, New York) Date: 1849. The last work I want to talk about is called Calumny of Apelles (1495), which was inspired by a work entitled “Slander, A Warning,” by the ancient Greek satirist Lucian. Jan 21 1959 : London, England : Bought by P. and D. Colnaghi at auction at Sotheby's, Lot# 2 : London, England : The British Museum Please email help.website@clevelandart.org. Read more about. Calumny of Appelles. On the throne, the king has the donkey's ears of King Midas, and Ignorance on his far side and Suspicion on the near side grasp these as they speak into them. You can use it however you want. Location: Uffizi, Florence: For Rossini's famous aria La calunnia è un venticello, see The Barber of Seville. Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. 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